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The Tillers

  • Reid Memorial Presbyterian Church and Community Center, Inc. 1004 North A Street Richmond, IN, 47374 United States (map)
Graphic: Green and Teal with photos of The Tillers and Tin Cup

The Tillers have been thumping their own distinctive sound of string band style folk music for a decade, riding it all over the country and across the sea. Four studio albums and one live record have won them praise as modern folk storytellers of the national soundscape. Richmond’s own folk trio, Tin Cup, will kick off the evening’s festivities.

Tickets are $20 per person and are available online at https://www.reidcenter.org/tickets (plus a small convenience fee) or in person at the Old National Road Welcome Center, 5701 National Road East, Richmond, IN 47374.

Photo: The Tillers on stage with bass, banjo, guitar and fiddle.

The Tillers are Mike Oberst, Sean Geil, Aaron Geil & Joe Macheret.

The Tillers got their start in August 2007 when they started thumping around with some banjos and guitars and a big wooden bass. Their earliest gigs were for coins and burritos on the city’s famous Ludlow Street in the district of Clifton. The songs they picked were mostly older than their grandparents. Some came from Woody Guthrie, some were southern blues laments, and many were anonymous relics of Appalachian woods, churches, riverboats, railroads, prairies, and coal mines.

Submitted Photo:  Snapshot of The Tillers

Their look didn’t fit the stereotype. They were clearly recovering punk rockers with roots in city’s west side punk rock and hardcore scene. The punk influence gave their sound a distinctive bite, setting them apart from most other folk acts- a hard-driving percussive strum and stomp that brought new pulse and vinegar to some very old songs. But their musical range soon proved itself as they floated from hard-tackle thumping to tender graceful melody, all the while topped by Oberst and Geil’s clear tenor harmonies. 

Submitted Photo:  Black & White photo with 4 men

They began picking up weekly gigs around the city’s bar scene. It didn’t take long before their signature treatment of classic folk songs became the preferred versions of Cincinnati locals. Their audiences swelled, growing into an assortment of grey-haired mechanics, neo-hippies, farmers, punkers, professors, and random strays all stomping, clapping, singing, and belting outbursts of “John Henry!” “Darlin’ Corey!” Ever since, the band has come to each show with the same energy. They are magnetic showmen, mature musicians, and colorful storytellers. 

Submitted Image:  The Tillers featured on the cover of CityBeat

The Tillers have since won over Cincinnati’s bar and festival scene, and launching tours with tireless momentum. They were awarded CityBeat Magazine’s Cincinnati Entertainment Award for best Folk and Americana act in 2009, 2010, 2013, 2014, 2015 & 2017. Their relentless gigging has taken them throughout the East coast, the Midwest and West, the Appalachian south and to the UK and Ireland opening for the St.Louis crooner, Pokey LaFarge. In the summer of 2009, veteran NBC news anchor Tom Brokaw featured the Tillers on a documentary about US Route 50. Brokaw showcased the group’s song “There is Road (Route 50)” as a testimony to the highway’s role as a connective tissue of the nation. 

Musically, the band wears many hats. Their sound has proven to be an appropriate fit with a wide range of musical styles- traditional folk, bluegrass, jazz, punk rock and anything else they might run into. They have shared the stage with a broad swath of national touring acts, ranging from renowned folk legends such as Doc Watson, Ramblin’ Jack Elliott, Guy Clark, Country Joe McDonald, Jerry Douglas, Iris Dement, Pokey LaFarge, The Hackensaw Boys and The Carolina Chocolate Drops to rambunctious rock daredevils like the Legendary Shack Shakers. 

Submitted Photo:  The Tillers at an outdoor concert

Always moving, the Tillers continue to enter new territory. Their musical growth can be heard through the scape of their many releases, 2008′s debut record Ludlow Street Rag, 2010′s By The Signs, 2011′s Wild Hog in the Woods, 2012′s Live from the Historic Southgate House, 2013′s Hand On The Plow, 2018′s The Tillers and many more bootleg releases. The band’s lineup has also taken new shape. In February 2010, long-time bassist Jason Soudrette fondly parted ways with the group, being replaced by Aaron Geil, brother of guitarist Sean.  In 2015 the band added fiddler Joe Macheret to the ranks.  Recalibrating has not slowed their pace. 

They continue to plot their travels around the map, electrifying new places and making new friends wherever they go. From place to place, they carry with them more instruments, new songs, and funnier stories. They are Cincinnati’s traveling minstrels. Expect to hear from them soon.

Learn more about The Tillers: https://www.the-tillers.com/

Listen to The Tillers: https://www.the-tillers.com/music

About the Reid Center:

Parking: On-street parking is available along North A, 10th St, and 11th St. There is a lot north of the church accessible from the alley between 10th and 11th Streets. The municipal parking lot on 10th St. between Main and North A is a short walk.

Accessibility: We are honored to be caring for such a special facility, but older buildings come with challenges. It is our intention to be open and accessible to all community members. The south entrance (along North A Street) has an accessible ramp to the door. Once inside, there is a stairway of eight steps to the main level. On the left is a handrail, and on the right is a lift chair. The restroom on the main level is a private, single-person restroom, but is not wheelchair accessible. Until we can make permanent accessibility updates to our facility, we encourage those needing additional accommodations to reach out to our volunteer Events Manager, Lynn Knight at lynn@reidcenter.org or call 765-966-7618. We are eager to welcome you and will do everything we can to meet your accessibility needs.

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December 19

Christmas at Reid Center

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February 7

Reid Center LIVE! at Noon featuring Shiyu Wang on Piano